HARD GONZO TAPPERS (the real northern noise-underground) at 'Sturmglocke' Hannover
by V.A.
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01. ORiFiCE - live
07:10
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02. CA$HPERV - live
10:02
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03. JAVA DELLE - live
05:23
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05. HELGE MEYER - live
04:43
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about
HARD GONZO TAPPERS
(the real northern noise-underground)
at
'Sturmglocke' Hannover
1. 'ORiFiCE' live ... (orificenoise.tumblr.com)
2. 'CA$HPERV' live ... (soundcloud.com/cashperv)
3. 'Java Delle' live ... (javadelle.wordpress.com)
4. 'Wind of Change' live ... (www.the-scorpions.com)
5. 'Helge Meyer' live ... (soundcloud.com/helgemeyer)
6. open jam live improvisation ...
.
recordings by ORiFiCE (2016-06-09)
coverpainting by DORIS BOEKER
credits
VITAL WEEKLY
'The real northern noise-underground' played live at Sturmglocke, Hannover on the 9th of June; I am not sure what 'real' means; is there also a 'fake' underground then? Or are there other people claiming to be the real ones? Judging by the music this is a bunch of people who love their noise to be 'real' noise. Ah, real again. You know the drill (literally?); vicious, loud, unrelentness, distorted and without a moment of introspection. We switch on these pedals, that synth; bang that piece of metal, amplifier is on at 11, and rock on. Orifice, Ca$hperv, Java Delle, Wind Of Change (whose website is www.the-scorpions.com, according to the cover, which leads you to the real (no? yes!) Scorpions, composers of sa(i)d tune, which gave Wind Of Change their name) and Helge Meyer, ending in a fine tradition, the "altogether now on stage 'open jam live improvisation'", and five times noise makes so much more noise. Apart from the pretty useless live improv-of-all, I enjoyed the five other pieces quite a bit; very minor differences to be noted in their approaches. Wind Of Change seems to have a bit heavier, distorted guitar sound and Helge Meyer uses more voice material than the others, in a start-stop mode, whereas Orifice sounds very digital in approach. To those not in the loop when it comes to the world of noise, this all might be nit-picking; that's something I realize, but when it comes to the 'real' underground you can not make mistakes.
(FdW)
www.vitalweekly.net/1065.html
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BAD ALCHEMY
Wen weder Leitkultur noch Freund Hein schrecken, der kann sich mit Hard Gonzo Tappers (The Real Northern Noise-Underground) at 'Sturmglocke' Hannover (ACRS 1012, CD-R) bei 'ORiFiCe' die harsche Krätze holen, sich von Ca$hperv dröhndumpf granulieren, von Java Delle (TimTimTonTraeger, Die 7te Krawallerie) die Schädeldecke wie einen Heringsdosendeckel aufrollen und ähnlich dröhndumpf die Synapsen eindellen oder von Winds of Change in Zeitlupe mit den Scorpions geißeln lassen. Helge Meyer (von The 9-24V Group und wie Java Delle aus Hamburg) ist dazu kaum das passende Antidot, sondern der prasselnd, knatternd, stechend entzündete Wurmfortsatz. Als hätte der Affe damit noch nicht genug Zucker bekommen, bringt ein großes Finale noch alle fünf als geballt schrillende Sandstrahldusche.
www.badalchemy.de
tags
license
about
attenuation circuit Augsburg, Germany
attenuation circuit - label for experimental music
discography
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May 2017 -
Aug 2015 -
Jun 2017 -
Jun 2017
