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tears of a modest ox andaloup - happy new esra 2023

by Trance*Industrial*Toy Orchestra

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about

attenuation circuit ° ACP 1384 ° 2023
attenuationcircuit.de ° attenuation-circuit@web.de

»die rückkehr des mengenbrühers stellt eine ausserordentliche chance für die gesamte suppenkultur dar. ich bin. aber ich brühe nicht. also filtern wir das noch=nicht.« (EB., tübingen, 2022)

happy new esra studio session 2023

brandstifter : casio sk-1, korg monotron, vocals, guitar, orff-trommel, toys; 

jürgen fastje ‘chock’ : microkorg, guitar, banjo, ukulele, rhythm ace FR-1, stylophone S-1, stylophone beatbox, okarina, toys;
herr penschuck : korg microsampler, korg mini kaosspad, mikroplankton/nintendo DS, voice, vocals, toys;

recorded at #studioSOLVEIGH, oldenburg, january 1st 2023 using a zoom L8&H2.
no rehearsal: onboard preamps, no sidechaining, no overdubs, real marshall noise, no drugs, no mimimi.
samples: ride becken pfarrkirchen 07_2022, berlin hauptbahnhof gleis 14 04_2022

safety advice based on  »Sicherheits-Lexikon für junge Haushalte« 1970;
lyrics »tears of a modest ox andaloup« by herr penschuck

Mixing by Alexander Marco at Lunaparcc Lbg
Mastering Jürgen Fastje, oldenburg
catering danny jäger

Design by [FEINDESIGN]
Type: Citizen, Berthold Akzidenz,
Illustration/Photography dan penschuck

herr penschuck :
www.herrpenschuck.eu
herrpenschuck.bandcamp.com

brandstifter:
www.brand-stiftung.net

jürgen fastje ‘chock’:
www.juergenfastje.de


remixes by

- chaotalion audiophob.bandcamp.com/album/asabjaris
- lars vogel violacrayfish.bandcamp.com
- heidrun schramm/nicolas wiese www.nicolaswiese.com
- anja kreysing www.anjakreysing.de
- pharmakustik pharmakustik.bandcamp.com
- toenungsfluid www.studio-21.net
- thorsten soltau thorstensoltau.bandcamp.com
- herrpenschuck www.herrpenschuck.eu/sound-art-performance/
- meinein meinein.bandcamp.com
- lil tindermann

credits

released December 10, 2023

Industrial Toy Orchestra TITO was founded during winter 2001/2002 by the transindustrial network as a platform for performance. The basic idea was to use all these toys which make noise and which are thrown away by parents when their children become older. But TI artists never get older, definitely they liked all of these childish games. A big collection of strange & noisy toys grew, and after two rehearsals in Amsterdam and Hamburg the first public performance in January 2003 at ZAAL100/Amsterdam was realized – headlining the first toy opera written by Jan van Wissen. TITO performed at various urban venues placed at Hamburg, Amsterdam, Bremen, Tokyo as well as in villages and landscapes like Veenhuizen/NL or in the australian bush. Some of these performances and studio recordings are also available as CD or vinyl LP.
TITO always collaborated with numerous artists and invited them to join live appearances – when the original line up of transindustrial artists split up after 2009, Oldenburg based artist Herr Penschuck started to host the happy new esra sessions and invites contributors to remix the footage.

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more releases by TRANCE*INDUSTRIAL*TOY ORCHESTRA on attenuation circuit:

emerge.bandcamp.com/album/der-gaijin-bl-st-wo-sie-will-happy-new-esra-2022
emerge.bandcamp.com/album/klapperdeckchen-und-tor-4-happy-new-ears-2019
emerge.bandcamp.com/album/fuchs-du-hast-die-gans-gestohlen-happy-new-ears-2017
emerge.bandcamp.com/album/happy-new-ears-2015
emerge.bandcamp.com/album/standpauke-f-r-blockfl-ten-happy-new-ears-2016

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attenuation circuit Augsburg, Germany

attenuation circuit - label for experimental music

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