re​:​flexions sound​-​art festival 22 07 17

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compilation for the first re:flexions sound-art festival in Augsburg, 22.07.17


photography and design by MARTAVICTOR (


JOUX JOUX aka King Young Ill
Not comfortable around most people, Joux Joux tends to
seek refuge in the relative solitude of his appartment.
Neighbors keep complaining about absurd bass lines,
distorted Kickdrums and inexplicable weird noises.
Their whining goes unheard.
Joux Joux doesn´t care and doesn´t fit.


Jesus Jackson und die grenzlandreiter
aus Augsburg singen schöne Lieder über das Schlechte in der Welt, wobei lokale Bezüge immer wieder eine zentrale Rolle spielen. Die Themen ihrer Songs reichen vom Untergang der Augsburger Textilindustrie bis zu Fracking, von der Gentrifizierung in Pfersee bis zu den Lebensbedingungen in Asylunterkünften. „Passion statt Perfektion“


Dabit Vocem Austria
(Etched Traumas, Attenuation Circuit, Petroglyph Music) started first in June 2010, a half year before Mental Escape Pod was born. Vocals, Field Recordings, Noise, musique concrete, Elevator music and many other things.
You can even expect a noise-jungle or a field recording techno. Be surprised.


Acid Discharge
Erosive urban musique concrète attacks pleasent ambience.
Acid Discharge extracts urban sounds and resonances and blurs the perception of recognizable noises. Field recordings, noises of old cassettes and various instruments collapse and turnaround between noise, music and chaos.


Fall Into Dry Lungs
ist das kollaborative Projekt von Christoph F. (Dry Lungs Records / Feuersalamander auf Marzipan) und Petar S. (Fall Into Void Recs / Bruising Pattern) aus Wien. Seit 2015 spielen sie improvisierten Noisecore, ausgedrückt durch Effekt-Chains + Schlagzeug! Man hört Einflüsse aus verschiedensten Genres, beispielsweise Jazz, Grindcore, Noise, HNW, Slam und anderem. Seit Sommer 2016 wird auch an einem ersten Release auf Tape gearbeitet, welches sich durch den ausgeprägten Perfektionismus der beiden Mitglieder auch gerne etwas länger Zeit lässt.


Lavas Magmas
is the longest running musical project by Luis Gonzalez.
Started in 2008, LM has morphed substantially, but has always been inspired by the fragile webs that maintain our centrifugal reality, along with the lurking violence that bursts beneath our feet.

Field recordings, contact mics, sound sculptures, junk metal, magnetic tape, electronic and acoustic instrumentation have all played important roles in LM compositions.
Video is also a key element to LM, and often counterpoints the audio with visuals that change rapidly and morph in a rhythmic nausea. Luis Gonzalez is also a photographer, visual artist, and explorer of urban decay around the world.



Eric Zwang-Eriksson: percussion
Jan Kiesewetter: EWI
Sascha Stadlmeier: guitar, bass, contact microphones, effects


Sterile Garden
active since 2007, has over 30 releases on labels around the globe.
This project focuses on the intersection of geographical psychology and industrial decay through the mediums of tape manipulation, field recording, incorrect electronics, and amplified metal percussion. To reinforce sound collages, we often incorporate video and performance art elements into our live performances. This year's performance will be solo, although the group has long-range audio correspondents.


is a project of Pavel Aleshin, experimental musician from Orel/Russia. He uses field recordings and found sounds, his own voice, acoustic instruments and non musical objects to create a living environment, oscilating from warm calmness to ritualistic depths.
During past years Re-Drum played numerous amount of gigs all over Europe, sharing stage with Tzolk'in, Ratbag, Zbignew Karkowski, Roman Nose, Rovar 17 and others.


Les Horribles Travailleurs
(Max Kuiper, The Netherlands) is active in the field of sound since january1982. Source of the name: 'Lettre du Voyant, 15 mai 1871' by Arthur Rimbaud.

Soundcollage \ music \ soundpoetry \ installations, some of them interactive \ exhibitions with sound and visual works combined \ live performances in combination with installation and\or video \ collaborations \ remixes.
"...first the sound is heard of the knife, cutting the being from the false language..." (lht)


lehnt sich an die minimalistischen Traditionen des Experimentalismus und der nicht-akademischen Geräuschmusik an. Der Fokus liegt auf der Generierung von Klanggebilden, die frei interpretierbare Atmosphären an die Oberfläche holen sollen. Die Auswahl der verwendeten Klangquellen ist meist sehr eingeschränkt und die ursprünglichen Klänge selbst durch diverse Verfremdungen höchstens rudimentär erkennbar. Oft wird auch Basismaterial von diversen Künstlern/Musikern verwendet und recycelt.


released May 1, 2017




attenuation circuit Augsburg, Germany

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