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about

former available as cassette (ltd.ed. 48 copies) / SOLD OUT !

Pat Moonchy: voice and electronics device
Lucio Liguori: guitar and gongs
Sascha Stadlmeier: guitar, bass, effects

recorded live at k15, Augsburg, 29.04.16
photography by Dan Penschuck (feindesign.de)
recording, mastering and design by EMERGE

sothiac.bandcamp.com
emergeac.wordpress.com

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more releases by Sascha Stadlmeier on attenuation circuit:
emerge.bandcamp.com/album/24316
emerge.bandcamp.com/album/zwie-spalt
immerge.bandcamp.com/album/transient-behavior
immerge.bandcamp.com/album/li-e-bertaten
immerge.bandcamp.com/album/25-36-16-26

as Eigenidyll:
emerge.bandcamp.com/album/kurma-nahmen
emerge.bandcamp.com/album/same-3
immerge.bandcamp.com/album/bambi-das-schweinchen-das-kind-und-sein-vater-und-wie-es-nach-hause-ging

credits

released March 24, 2017

CHAIN D.L.K.

This release is the recording of a live performance made by Pat Moonchy, voice and electronics device, Lucio Liguori, guitar and gongs, and Sascha Stadlmeier, guitar, bass and effects.
After the first seconds it becomes clear how the sound framework is the path of pure EAI; the sounds are sparse and immersed in a surrounding silence and the objective is the nuance of the timbre. The first part of this release is a call and response where the three musician have some seconds so e.g., after the gong, the singer starts and when it stops the guitar starts to drone. The Stadlmeier's noises seems the base for the progressive juxtaposition of all the performers but, after a while, they decided not to create a sonic wall to overstep to be heard but to step back. So quiet moments based on the voice and gongs and louder ones based on guitars put the listener into a state of concentration out of his usual habit. This lasts until, at the end of the track, they decided to build the sonic wall to end the track in silence.
Even if it could sound a bit derivative in his musical development, it's a release that has moments of pure sonic beauty that let the desire to press the play button on the player. It's worth a listen and it's recommended for fans of the genre.

www.chaindlk.com/reviews/?id=9892.

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BAD ALCHEMY # 95

Ein weiteres Date im k15 führte Sascha Stadlmeier im PAT MOONCHY TRIO (ACT 1053, C-48) zusammen mit der Schiphorst-erprobten Namensgeberin aus Milano an Stimme & Electronics und Lucio Liguori an Gitarre & Gongs. Gemeinsam unterwegs, zuletzt mohrenfalterisch und ägyptisch, als Sothiac, in Bezirk Altona und in Doubleganger (auch schon zusammen mit Amaury Cambuzat - von Ulan Bator und Faust), inszenieren sie mit Emerge an Effekten, Bass und ebenfalls Gitarre eine Geisterstunde aus Drones, rumorendem und rauschendem Gegonge, krachigen und leichthändigen Gitarrenklängen und drüber weg immer wieder bizarrer Vokalisation. Fein improvisiert mit sogar stiller Zurückhaltung und dann wieder der vogelig sich einhakenden Kopfstimme zu träumerischen Griffen in die Saiten. Moonchy, deren Club nicht zufällig Moonshine heißt, tremoliert als Moonchild, orakelt als Medium mit seherischen Nachtaugen zu aufrauschendem Metall, elektronischen Gespinsten, Trommelschlägen. Wie auch im zauberhaften Zusammenklang mit dem Bläser Angelo Contini strebt sie eine neomystische Aura an am archaisch-rituellen Gegenpol zu bloßen Abstraktionsdynamiken. Jemand durchkreuzt mit sausendem Tempo den Ansatz zu waberndem Vibrato. Der Rest ist daher nicht Schweigen, sondern Noise und hexenhaftes Gelächter.

www.badalchemy.de

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