standpauke für blockflöten - happy new ears 2016

by TRANCE*INDUSTRIAL*TOY ORCHESTRA

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about

»The year started with the annual inclusion of the good spirits
that will boost everything into a røhricht something.« (Meta Battle)

1 Ti*to Happy New Ears (Original Geländer Mix, livedubbed session)
2 Der 2te Freund Happy New Ears (Caravan Remix)
soundcloud.com/der-2te-freund
3 Der Höfliche Harald Happy New Ears (eswareinmaleincaravan Mix)
soundcloud.com/gridfield
4 Herr-zen Happy New Ears (Milkyway Remix)
soundcloud.com/realtimespacelab
5 Das unpreetzise Klang-Labor Happy New Ears (unpreetziser Remix)
soundcloud.com/noise-factory-workshop/rohr-i
6 Frl. Linientreu Happy New Ears (Laßt Frieden sein Remix)
bandcamp.com/tag/frl.-linientreu
7 Alexander Marco Happy New Ears (Caravan du Löse Remix)
soundcloud.com/alexander-marco
8 Alexander Goretzki / klangwerft Happy New Ears
(grande soup behaviour – teeth moderator remix)
soundcloud.com/klangwerft
9 Thorsten Soltau Happy New Ears (Karthäuser & Wittrupp Remix)
thorstensoltau.bandcamp.com
10 Ti*To Happy New Ears
(David Bowie Space Oddity Requiem Herr Penschuck Remix )
herrpenschuck.bandcamp.com

credits

released February 16, 2016

Trance*Industrial Toy Orchestra
happy new ears line up 2016
Herr Penschuck – voice, analogue instruments and sampler
Der Höfliche Harald – synths & live electronics; recording & mixing
recorded at the pollite space, oldenburg, january 4th 2015 using a soundcraft EFX8 mixing desk, monotron delay, monotron duo, dandy iOS, sober voice, korg micro-
sampler, »Allgemeines Sicherheitslexikon für Haushalte« ›Camping‹;  »Das ist die Zeitenwende«. zeitgenössische oratorien und cantatentexte. reclam leipzig 1946. 
daraus: ›Die Taube‹. schlusschor der cantate ›Des Sieges Gewissheit‹ von Ernst 
Hermann Meyer. RIP David.

remixes by
Der 2te Freund
Der Höfliche Harald
Herr-zen 
Das unpreetzise Klang-Labor
Frl. Linientreu 
Alexander Marco
Alexander Goretzki / klangwerft 
Thorsten Soltau
Herr Penschuck 

released by attenuation circuit february 2016

Trans Industrial Toy Orchestra TITO was founded during winter 2001/2002 by the transindustrial network as a platform for performance. The basic idea was to use all these toys which make noise and which are thrown away by parents when their children become older. But TI artists never get older, definitely they liked all of these childish games. A big collection of strange & noisy toys grew, and after two rehearsals in Amsterdam and Hamburg the first public performance in January 2003 at ZAAL100/Amsterdam was realized – headlining the first toy opera written by Jan van Wissen. TITO performed at various urban venues placed at Hamburg, Amsterdam, Bremen, Tokyo as well as in villages and landscapes like Veenhuizen/NL or in the australian bush. Some of these performances and studio recordings are also available as CD or vinyl LP.
TITO always collaborated with numerous artists and invited them to join live appearances – when the original line up of transindustrial artists split up after 2009, Oldenburg based artist Herr Penschuck started to host the happy new ears sessions and invite contributors to remix the footage.

This ’Happy New Ears‘ release is meanwhile the 7th in a row. 
Welcome and thank you!

Original Mix recorded at The Pollite Space, Oldenburg i.O.
TITO was renamed into Ti*TO in 2009 in order to appreciate the 
exit strategies of some members.

Design by [FEINDESIGN]
Type: Citizen, Berthold Akzidenz, 
illustrations courtesy stefan gandl/neubauwelt

more releases by TRANCE*INDUSTRIAL*TOY ORCHESTRA on attenuation circuit:
emerge.bandcamp.com/album/happy-new-ears-2015
emerge.bandcamp.com/album/fuchs-du-hast-die-gans-gestohlen-happy-new-ears-2017

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attenuation circuit Augsburg, Germany

attenuation circuit - label for experimental music

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