klapperdeckchen und Tor 4 - happy new ears 2019

by Trance*Industrial*Toy Orchestra

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»auf den platzteller gehört ein zartes klapperdeckchen, darauf steht ein flacher teller, wenn es zuerst eine vorspeise gibt, oder ein suppenteller, wenn das menu mit suppe beginnt, gegebenenfalls auch ein unterteller mit suppentasse.« (roland gööck, 1962)

happy new ears studio session 2019

herr penschuck  voice, mini kaosspad and samples
ft. norbert koczorski (†)  background vocals

recorded at studio st. gertrude, oldenburg, january 1st 2019 using
sober voice, korg kaosspad mini, toys

additional field recordings: travemünde / fehlingstrasse mittags 12h;
warnruf eines zaunkönigs am 26.12.2018

texts based on:  »Der gute Gastgeber. ABC der Gastlichkeit«;
bertelsmann ratgeberverlag reinhard mohn, gütersloh.

herr penschuck :
www.herrpenschuck.eu
herrpenschuck.bandcamp.com


remixes by

- emerge
emergeac.wordpress.com
immerge.bandcamp.com
- pharmakustik
www.pharmakustik.bandcamp.com
www.pharmakustik.org
- das unpreetzise klang-labor
y-ton-g.bandcamp.com
soundcloud.com/noise-factory-workshop
www.facebook.com/unpreetzise
- der höfliche harald
- meinein
meinein.bandcamp.com
www.facebook.com/meinmeinein
- chaotalion
- lars vogel
- brandstifter
- anita strasser & lu laumer


released by attenuation circuit february 2019

Trans Industrial Toy Orchestra TITO was founded during winter 2001/2002 by the transindustrial network as a platform for performance. The basic idea was to use all these toys which make noise and which are thrown away by parents when their children become older. But TI artists never get older, definitely they liked all of these childish games. A big collection of strange & noisy toys grew, and after two rehearsals in Amsterdam and Hamburg the first public performance in January 2003 at ZAAL100/Amsterdam was realized – headlining the first toy opera written by Jan van Wissen. TITO performed at various urban venues placed at Hamburg, Amsterdam, Bremen, Tokyo as well as in villages and landscapes like Veenhuizen/NL or in the australian bush. Some of these performances and studio recordings are also available as CD or vinyl LP.
TITO always collaborated with numerous artists and invited them to join live appearances – when the original line up of transindustrial artists split up after 2009, Oldenburg based artist Herr Penschuck started to host the happy new ears sessions and invite contributors to remix the footage.

This ’Happy New Ears‘ release is meanwhile the 9th in a row. Welcome and thank you!

more releases by TRANCE*INDUSTRIAL*TOY ORCHESTRA on attenuation circuit:
emerge.bandcamp.com/album/fuchs-du-hast-die-gans-gestohlen-happy-new-ears-2017
emerge.bandcamp.com/album/happy-new-ears-2015
emerge.bandcamp.com/album/standpauke-f-r-blockfl-ten-happy-new-ears-2016

credits

released February 20, 2019

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attenuation circuit Augsburg, Germany

attenuation circuit - label for experimental music

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