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For the Record

by Gerald Fiebig

supported by
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1.
Arty Improv for Plastic People 05:54
2.
Beauty vs. the Beast 06:50
3.
Netzkarte 01:57
4.
PET Sounds 09:37
5.
Katzenmusik 01:32
6.
Flat Construction in Metal 08:32
7.
Pour en finir 03:31
8.
Crosstalk 07:29
9.
Meddling 04:55
10.
Liberty Bells 01:00
11.
Serpentin 04:19
12.
Bambini-Code 15:16
13.
Beauty is a Beast 02:42
14.
Kippschalter-Duett 02:55
15.
Quirky Shitpop for Groovy Assholes 03:41

about

1 Improvised live in concert at Ganze Bäckerei, Augsburg, 2 April 2016, at a concert in the „echokammer“ series (co-hosted by attenuation circuit).
2 This piece uses various sound sources, including samples from a harmonium.
3 Based on samples from streetcars supplied by www.strassenbahnfreunde.de.
4 This piece is a multi-track composition of sounds that were created by rolling a plastic ball around in a plastic (or, more precisely, a PET) bottle.
5 This piece features Jaromir the cat, recorded by his owner, Martyn Schmidt.
6 An attempt to apply the lessons learned from Einstürzende Neubauten and John Cage to an ironing board, which I recorded with contact microphones.
7 The piece utilises a field recording by Luc Ferrari, “004 _ 1993 - Portugal - chant de messe via haut-parleur” (used by kind permission of Association Presque Rien autour des amis de Luc Ferrari) and some field recordings of prayer calls I made in Istanbul in 2007.
8 This piece is based on the same set of recordings of prayer calls from Istanbul as track 6, plus recordings of church bells from the Azorean islands (the easternmost and westernmost parts of Europe).
9 Dedicated to Carl E. Ricé, with thanks for reminding me of the inspiring lessons of Pink Floyd, and for letting me use a recording of his alarm clock.
10 The bicycle bell sounds are courtesy of Bikekitchen Augsburg (www.bikekitchen-augsburg.de) and were recorded at their premises.
11 Based on sounds generated from the stone sculpture “Hommage à Hans Kayser” by Elmar Daucher (1983), on display at the city library of Neu-Ulm, Germany. The sculpture is made from serpentine and weighs about 3 tons.
12 Thanks to Martyn Schmidt for the inspiration for the title and hence, the concept of the piece (en.wikipedia.org/wiki/Bambini-Code).
13 This piece uses various sound sources, including samples from a harmonium.
14 For this piece, the toggle switches of two (bass and guitar) amplifiers were recorded with an induction coil microphone.
15 Originally released in 2004 by Dhyana Records on the compilation “Fluffituhsi” (www.discogs.com/de/Various-Fluffituhsi-Compilation/release/320157).

Cover design: EMERGE
Photograph: Gerald Fiebig

www.geraldfiebig.net
www.facebook.com/GeraldFiebigAudioArt
www.soundcloud.com/gerald-fiebig | gebrauchtemusik.bandcamp.com

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credits

released October 28, 2018

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attenuation circuit Augsburg, Germany

attenuation circuit - label for experimental music

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